“青铜之光”展品解读 | 青铜顶尊跪坐人像

2024-02-05 17:56:37     浏览量:   

沉睡三千年,一醒惊天下的三星堆遗址,是中华文明璀璨星河中明亮而神奇的一颗。


罗丹是“现代雕塑之父”,他的作品中饱含对生命、自然的歌颂、热爱与忧思。


在上海大学博物馆举办的特展——“青铜之光:三星堆与罗丹的超时空对话”展出了许多三星堆、金沙遗址出土文物和罗丹及其同时代雕塑家的作品,让我们一起来详细了解展品背后的故事吧!


青铜顶尊跪坐人像



· 商代后期(公元前1300年—前1100年)

· 底座直径10厘米,座高5.3厘米,通高15.6厘米

· 1986年出土于四川广汉三星堆遗址二号祭祀坑,K2③:48

· 四川广汉三星堆博物馆藏


· Late Shang Dynasty (1300B.C.-1100B.C.)

· Base Dia.10cm; Base H.5.3cm; Total H.15.6cm

· Unearthed from No.2 sacrificial pit at the Sanxingdui Site in Guanghan, Sichuan, in 1986, K2③ :48

· Collection of Sanxingdui Museum


此器由山形座和跪坐顶尊人像两部分组成。山形座腰上铸饰扉棱,座上有婉曲朴雅的镂空花纹。人像上身裸露,乳头突出,下身着裙,腰间系带,带两端结纽于胸前,纽中插物。人像头顶一带盖青铜尊,双手上举捧护圈足尊腹部,表现的应是古蜀国巫师在神山顶上跪坐顶尊以献祭神天的情景。因其胸部乳头显露突出,因此有观点认为该人像刻画的是古蜀国的女性巫师或女神。

人像虽小,但作为完整的全身像,是极难求的珍品,尊、罍是中国古代重要的礼器,关于其具体使用方式有不同的看法,顶尊跪坐人像则展示了“尊”这种器物在古代祭祀时的具体使用方式之一。从人像的造型上看,古蜀国工匠具有很高的造型能力,整个人像结构完美,比例匀称,美观大气,具有很高的观赏性和艺术价值。


It consists of two parts, i.e. a mountain-shaped base and a kneeling figure with a Zun (wine vessel) on the head. The  mountain-shaped base features delicate and elegant decorative patterns in openwork, with Feileng (扉棱, protruding edges) at the waist. The figure is topless. With prominent nipples, she wears a skirt with a belt tied around the waist. The two ends of the belt are knotted in front of the chest and some items are inserted in the knot. The figure carries a lidded bronze Zun-vessel on top of her head and raises both hands to hold the round-foot vessel by the belly. It shows the scene in which a witch in the ancient Shu Kingdom kneels and carries a Zun-vessel on her head on the top of a mountain to offer sacrifices to gods on the holy mountain. As the prominent nipples on the chest suggest, the figure is a witch or goddess in the ancient Shu Kingdom. Albeit small in size, it is a rare treasure. Firstly, it has a complete human image. Secondly, Zun and Lei (bronze wine vessel)  were important ritual vessels in ancient China. Today, the views on their specific usage vary. The kneeling figure with a Zunvessel on the head showcases how Zun was used in ancient sacrificial ceremonies. Perfectly structured and well-proportioned, the figure reflects the superb modelling skills of craftsmen in the ancient Shu Kingdom and possesses a long-lasting aesthetic appeal, with high ornamental and artistic value.


展览时间:

2023年12月13日至2024年3月15日


展览地点:

上海大学博物馆一层临展厅

(上海市宝山区南陈路333号)


校内师生凭本人一卡通入馆,无需预约。


校外观众采取网上预约方式入馆,扫描下方二维码或关注“上海大学博物馆”微信公众号,点击“个人预约”。


校园内不提供对外停车位。

//

333


上一条:青铜之光 完美谢幕

下一条:“青铜之光”展品解读 | 青铜跪坐人像